April 15th, 2016
Then I discovered myths, wonder tales and fairy lore: ordinary life went on but I was diving to the bottom of the sea with weights on my feet to pick the flower of immortal life and then losing the magic elixir to a passing snake – for ever; I was dipping my finger in dragon’s blood and tasting it and then finding I could listen in on the conversation of the birds and hear what animals were saying; I was saving my numerous brothers who had been turned into swans by knitting them shirts made from nettles which I’d spun into thread with blistered, burning fingers; with Electra I was helping murder her father – I could go on, but these are the kinds of stories that kept me reading under the covers with a torch, stories that every culture created long before print or even, perhaps, writing itself.
April 3rd, 2016
I’m illustrating a story in just two colors. Which is three in a way, since the two sometimes overlap. And four if you include the white of the page. Things are often a lot more complicated, but whether you are writing with the 26 letters in the alphabet or rendering with a certain number of colors it is all about finding the patterns and revealing them. Or so it seems to me today, as clouds float by the window.
March 11th, 2016
Lately I have been feverishly experimenting with woodcutting. There’s a particular challenge when you introduce more than one color that bends my mind causing one plus one to equal 3 colors
Right now these are my two main influences: a Brazilian artist named José Borges and the logo for Mount Sinai Hospital. Soon I will post a few.
December 10th, 2015
I’m no sucker. I didn’t even have to buy that Japanese book about the “Life-Changing Magic of Tidying Up.” All I had to do was to inhale the first few paragraphs in a bookstore and the magic had already begun. A tsunami of putting things away instead of letting them lie about took over my life. Perhaps because the author had said this would be magical it was. I began to think about the value of less everywhere else. How a good story has distinct edges. How I make pictures by cutting out what shouldn’t be there. How writing gets better when you subtract words wherever possible. “Elegance is refusal,” as Coco Chanel once said.
June 28th, 2014
Did you make the art specifically to go in that room? you ask. No I didn’t. But I’ve known this room for a very long time and am tickled to see they have ended up together. “We shape our buildings; thereafter they shape us,” as Winston Churchill once said.